CORPORATE LINE: CASANOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova–themselves notably unreliable–and fortunately has no pretensions to historical realism. Instead, it’s a witty, lighthearted romantic comedy, which uses its 18th century setting and renowned hero as a jumping-off point for sexy banter and ruminations on love, lust, and freedom. Directed with visual flair and wit by Lasse Hallström–a master of classy period pieces like CHOCOLAT and CIDER HOUSE RULES–the movie was filmed on location in Venice, and the stunningly gorgeous scenery is almost a character in its own right. Heath Ledger, believable and engaging here in a role that couldn’t be more different from his powerhouse performance in BROKEBACK MOUNTAIN, turns on all of his considerable charms here. Abandoned by his mother as a child, Casanova has grown into a lascivious yet oddly innocent young man, who pursues pleasure wholeheartedly and mistakes lust for love. His biggest concern is eluding Italy’s puritanical Inquisitors, until he meets Francesca Bruni (Sienna Miller), a beauty who publishes clever pamphlets on women’s rights under a pen name. In the time-honored tradition, Casanova is instantly smitten with the one woman in Venice who doesn’t want anything to do with him.
The plot provides few surprises, but that is beside the point; the pleasures of CASANOVA are in its warm freewheeling tone, its sumptuous visuals, and the cheerful exuberance of its actors. In addition to Ledger’s winning star turn, Lena Olin is her usual mesmerizing self as Francesca’s scheming mother, and the reliably excellent Oliver Platt (as Francesca’s overmatched fiancé) and Jeremy Irons (as the frustrated head Inquisitor) both deliver deft comic performances.
THE REVIEW: It’s surprising, after a few great performances, to see Heath Ledger fall so flat. Sienna Miller is dreadful. Miller has no appeal and completely ruins the film. Ledger might have been a little less bland had the leading lady been able to carry the character Francesca.
THE EXTRAS:
The commentary by director Lasse Hallstrom is as boring as the films main characters.
“Creating an Adventure: The Making of Casanova” – A dry featurette with the usual fluff interviews with the cast and crew.
“Dressing in Style” – A featurette shows the designing costumes from the 18th century fashion capital of Europe.
“Hidden in Plain Sight” – An extended sequence.
“Visions of Venice” – A featurette the recreates the world’s most enchanting city in the 18th century.
+ Charlie Craine
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