Jane Monheit

“I’m one of those people who go just a little too crazy over Christmas,” Jane Monheit cheerfully admits. “So in my head, I’ve been planning and conceptualizing this album for years. I was just waiting for the right time.”

The “right time” now has arrived for The Season-acclaimed jazz singer Jane Monheit’s first holiday-themed collection, her first co-production, her Epic label debut, and the fifth studio album of her career. Through her inventive renditions of these eleven songs, Jane embraces all the emotional facets of the holiday season, from joyful celebration to heartfelt longing. The eclectic repertoire ranges from the Carpenters’ “Merry Christmas Darling” and the 19th century carol “I Heard the Bells on Christmas Day” to perennial favorites like “Have Yourself a Merry Little Christmas” and “Santa Claus is Coming To Town.”

From Frank Sinatra and Mel Tormé to Dave Brubeck and Jimmy Smith, the holiday album is a long-standing tradition in American jazz and popular song. Jane remains especially fond of Ella Fitzgerald’s 1960 set Ella Wishes You a Swinging Christmas (Verve). “That album definitely helped inspire this one,” she notes, “but so many of these tunes have become part of the Great American Songbook and of the jazz repertoire. It just made sense for me and the band to try our hand at this material.”

Jane Monheit’s previous release, Taking a Chance On Love (Sony Classical, 2004), featured several tracks recorded with such special guests as pianist Geoff Keezer and bassist Christian McBride. But The Season is entirely the creation of Jane’s regular working quartet: drummer Rick Montalbano, bassist Orlando Le Fleming, guitarist Miles Okazaki, and Michael Kanan on piano and keyboards.

“They are the most incredible New York jazz musicians, as well as the people I’ve worked and traveled all over the world with for years. Every time we play together, the music is colored by friendships, by shared experience-it makes everything very personal.”

The Monheit band is augmented on four tracks by a top-shelf horn section, arranged and conducted by Rob Mounsey, which includes trumpeter Lew Soloff and tenor saxophonist Andy Snitzer. Mounsey also arranged and conducted the string section heard on “Have Yourself a Merry Little Christmas,” “My Grown-Up Christmas List,” and “Merry Christmas Darling.” Vibraphonist Dave Samuels adds his special touch to “The Christmas Waltz.”

Al Schmitt co-produced and recorded The Season at New York’s Avatar Studios in July 2005and mixed the album at Capitol Studios in Los Angeles. The man whom Jane Monheit calls “the greatest engineer there is” is a 50-year studio veteran who’s worked with everyone from Jefferson Airplane and Sam Cooke to Natalie Cole and Luis Miguel. Al Schmitt is an eleven-time Grammy Award winner, including his 2001 win for Diana Krall’s The Look of Love as Best Engineered Non-Classical Album. This marks the first of her albums that Jane has co-produced.

Fans of Jane Monheit can look forward to hearing her bring the songs of The Season to life on stage during this holiday season.

“Just as soon as Thanksgiving is over,” Jane laughs. “In fact, if we’re playing on Thanksgiving Day, I’m already whipping out the Christmas songs-I simply cannot resist!”

THE STORY SO FAR

As an adolescent growing up in Oakdale, Long Island within a musical family, Jane Monheit (born November 3, 1977) studied clarinet and theory while acting and singing in local theater productions. Jane was 17 when she began formal vocal training with Peter Eldridge at the Manhattan School of Music. She began gigging with Rick Montalbano, her college boyfriend, and pianist David Berkman in a quintet. (Jane and Rick were married in 2002.) In 1998, at age 20, she placed second among vocalists in the Thelonious Monk International Jazz Competition.

In 2000, Jane released her debut album Never Never Land through N-Coded Music, with accompaniment by such notables as pianist Kenny Barron, bassist Ron Carter, and saxophonist David “Fathead” Newman. Never Never Land remained on the Billboard Jazz chart for over a year and was voted Best Debut Recording by the members of the Jazz Journalists Association.

In May 2001, Jane’s second album Come Dream with Me (N-Coded/Warlock) entered the chart at Number One. It included the Judy Garland classic “Over The Rainbow,” today a favorite among Monheit fans the world over, and the personnel included Michael Brecker (saxophone) and Tom Harrell (trumpet). In the Sun (N-Coded, 2002) blended popular standards (“Cheek to Cheek,” “It “Never Entered My Mind”) with the sounds of Brazil (“Chega De Saudade,” “Comecar De Novo”); the track “Since You’ve Asked” was nominated for a Grammy Award for Best Instrumental Arrangement Accompanying Vocals.

Jane Monheit made her major label debut in September 2004 with Taking a Chance On Love on Sony Classical. Co-produced by Peter Asher and Al Schmitt, this album-length expression of the singer’s passion for Thirties and Forties movie musicals included a duet with Michael Bublé on “I Won’t Dance” along with her deeply personal interpretations of “Love Me Or Leave Me,” “Dancing In The Dark,” and “Embraceable You,” among other timeless favorites. “Dancing in the Dark” was nominated for a Grammy Award for Best Instrumental Arrangement Accompanying Vocals. Taking a Chance On Love has remained on the Billboard Top 10 jazz chart since its release.

In a review of her November 2002 performance at London’s Royal Festival Hall, The Guardian wrote: “Jane Monheit has so many natural gifts-a phenomenal ear, wide vocal range, rhythmic poise and musical ingenuity-but perhaps the most precious of these is restraint. It is fatally easy for a virtuoso singer to reduce a beautiful song to rubble. Monheit decorates a melody, lights up a lyric, but never loses the essential thread of the song itself.”