Richard Ashcroft

As the frontman for the epic British drone-pop band the Verve, Richard Ashcroft proved himself the spiritual descendant of rock & roll icons like Mick Jagger and Jim Morrison — rivetingly charismatic, menacingly serpentine, and possessed of an almost shamanic intensity, he embraced and articulated the anthemic fervor of rock music with a power and eloquence unparalleled by any of his contemporaries. Ashcroft was born September 11, 1971 in the Wigan suburb of Billinge, attending Upholland Comprehensive School alongside future Verve mates Simon Jones, Simon Tong, and Peter Salisbury; after losing his father at age 11, he fell under the influence of his stepfather, a member of the ancient secular order of the Rosicrucians, who regularly performed experiments in mind expansion and the healing arts. While a student at Winstanley College in 1989, Ashcroft co-founded Verve with bassist Jones, drummer Salisbury, and guitarist Nick McCabe; signing to Virgin’s Hut imprint to issue their 1992 debut single, “All in the Mind,” the group earned widespread praise for its majestic, oceanic guitar-pop, with the eminently-quotable Ashcroft earning the dismissive nickname “Mad Richard” from the UK press. Despite their critical acclaim, Verve often seemed at the mercy of forces outside their control — while touring with the Lollapalooza festival in support of their 1993 debut LP, A Storm in Heaven, Ashcroft was hospitalized after suffering from severe dehydration, and within months the band also entered into a protracted legal battle with the American jazz label Verve, which resulted in an official name change to “The Verve.” Recorded under the influence of a massive intake of ecstasy, 1995’s brilliant A Northern Soul effectively split the band apart, although Ashcroft reformed the line-up a few weeks later. The reformed Verve achieved international success with 1997’s celebrated Urban Hymns, scoring a series of hits including “Bittersweet Symphony,” “The Drugs Don’t Work,” and “Lucky Man”; however, legal hassles awarded 100 percent of “Bittersweet Symphony”‘s publishing rights to ABKCO Music — the song was built on a Rolling Stones sample — and as friction between Ashcroft and McCabe resurfaced, the guitarist quit the group, and following a final tour, the Verve again disbanded, this time for good. Ashcroft’s solo debut, Alone with Everybody, followed in mid-2000