Corporate Line: Nate Ruess and Sam Means, 20 and 22 respectively, wanted to make music for fun outside of the punk genre they were accustomed to, and to create an outlet for their more pop oriented ideas. Writing in secret, the two stumbled onto exactly what they were looking for: intelligent pop based on a cocktail of disparate flavors — a shot of Beatle-esque pop here, a twist of singer/songwriter stylings there, and a musical backdrop proud of its eighties roots, like big fat drum machines, acoustic guitars, synths, maybe even a handclap or two. The results summon the better moments of Squeeze, with subtle nods to Skylarking-era XTC and other crystalline ’80s pop. With the late 2002 release of their indie EP, they garnered daily airplay on Phoenix’s influential modern rock station The Edge and won an overwhelming response from listeners. Now their Elektra debut album, Interventions And Lullabies, fulfills the promise of the EP with a dozen smart, strummy, tartly witty tunes.
The Good:
They don’t stretch this far.
The Average:
“The First Single” – You have to wonder how long it took these guys to think up this nifty song title. It’s regular rock ‘n’ roll that isn’t insulting but not great.
“Wait, Wait, Wait” – Another not-so-insulting rock song. These guys have monotony down to a t.
“Give It Up” – Geek rock at its geekiest.
“Tie The Rope” – Weezer isn’t shaking in their boots.
The Ugly:
Nothing to make you vomit
Frankly: The Format makes music that will get your blahs out, but not your yeahs out.
+ Rae Gun
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